Showing posts with label Maury. Show all posts
Showing posts with label Maury. Show all posts

Friday, April 29, 2016

The great debate....hinged vs never hinged...and the evil legacy of Crystal Mounts....(Repost)

This is a reposting of a blog entry from the first version of this blog posted on 1 August 2015

It's a debate that has rumbled through philatelic circles since at least the 1950s (famous US Stamp Dealer and author Herman Herst Jr wrote about it in many of his articles, collections of which have been published as Nassau Street and Fun And Profit In Stamp Collecting and both of which are entertaining and educational reads well worth checking out!). Should mint stamps be collected as hinged or never hinged.  Or perhaps more to the point, at what point chronologically should a collector stop collecting mint hinged stamps and only seek out never hinged copies of issues.

A look at stamp catalogues from various regions is little help as none seem to agree to any date in particular. Generally, Scott sets its values for mint as never hinged for most nations around 1945 or so. Some countries a little later, some (like the USA) in the 1930s. Scott also, at least in its Classic Specialized 1840-1940 Catalog, provides pricing for never hinged for issues before their cutoff date. One thing Scott very rarely does though is price items, or even give a rough guide to value, for hinged items AFTER the transition date. Does this mean hinged items issued after the transition date are worthless???? Surely it can't, but how do you value the items if there is no guide, even a rough one.

Other catalogues, as I note above, use different dates.  The Gibbons catalogs make the transition form hinged to never hinged with the coronation of George VI in 1937.  Again, no guide is provided as to what kind of a discount should be given for items issued after 1937 that are hinged, and even more perplexing, neither is any suggestion of a degree of premium never hinged items issues before 1937.  At least none is given in the three specialized Gibbons catalogues I own (Australia 9th ed, New Zealand 5th ed and Malaysia-Singapore-Brunei 4th ed).

Since I am focusing at this time mainly on the French colonial world, I also have a set of Maury catalogues for France and empire.  Here there IS some help, as Maury prices everything from start to its general transition date of 1960 in both never hinged and hinged varieties. Interestingly enough, the degree of premium for Never Hinged items in the later 1950s vs hinged is not that large, usually around 33% or so. After 1960 prices for mint stamps are for never hinged only, though one could argue that the discount should not be too huge for hinged if the examples of the late 1950s pricing ratios are taken into consideration.  Similarly the Afinsa catalogues for Portugal and Colonies offer pricing for both never hinged and hinged stamps up to 1953 and the Centenary of Portuguese Stamps issue. The İsfila catalogue for the Ottoman Empire and Turkey sets the date at 1938, while the Guillermo Jalil catalogue for Argentina sets it at 1940, with both catalogues providing pricing guidance for never-hinged items issues before their transition dates, though not after.

Stamp mounts only began to become common in the USA with the introduction of the Crystal Mount by the HE Harris company in the 1950s, though there were some predecessors that, to be honest, were more work than worth the effort to use.  I remember Crystal Mounts well, since that is what my father used when he introduced me to stamp collecting in the 1970s and 1980s. I remember spending many an snowy upstate NY evening helping him mount his various collections with these mounts, that only came in a small range of sizes so that one had to fold over part of the mount to secure the stamp inside. 


Crystal Mounts in their packaging from the 1980s...images that bring shudders of horror to me today.

Until the introduction of mounts based around stamp height in a much larger range of sizes (such as the Scott Mount by Prinz and similar mounts) these were considered the best mount for keeping stamps never hinged. And millions of US collectors used them in the period from the 1950s to the 1980s (and some still swear by them)

(rant) I truly LOATHE Crystal Mounts (/rant). It was always way too easy to bend perfs as you folded over the extra plastic, and stamps often have a hard time "breathing" when they are in tightly folded ones.  When I inherited my father's stamp collection, I discovered that removing stamps from mounts was rather akin to extracting a coin that has fallen thru a grate - often frustrating and infuriating.  You need to be very careful removing the stamps from a Crystal Mount, and you often need to put it under some weight afterward to remove the -curl- that the mounts often create after years of storage.  Really poorly stored collections housed in Crystal mounts often have yellow staining where the gummed strip was positioned, and occasionally the gum will even glaze from moisture trapped over time.

When I was heavily building up my first stamp collection in the 1990s, I used the traditional album pages and Scott Mounts, as I've noted in my first post.  At times it felt like I was spending as much on supplies as I was on stamps. But this time around I have decided to use Lighthouse Vario stockpages and it is so wonderful NOT to have to factor the cost of mounts into my stamp budget AT ALL. Although they have come down in price from what they were in the 1980s when I was trying to convince my father to switch to Scott mount and stop using Crystal mounts (an arugment he eventually came to accept in the early 1990s) they are still not cheap especially when you consider the range of sizes you need if you are a worldwide collector.

But back to the original question - hinged or never hinged.  In the end, this is something that each collector has to decide for himself or herself.  De gustibus non disputatum est. My general rule of thumb is hinged is fine until 1960, and from 1960 onward I will only buy never hinged issues. By 1960 you really have huge supplies of never hinged material for most nations available in the marketplace here in the USA, and stamp mounts by 1960 were much more commonly in use. Some nations I may make the never-hinged only transition a bit earlier, but 1960 is, for me, a pretty firm date for all nations. Now, if given the opportunity to purchase pre-1960 material in never hinged form at a fair price, then I will not turn my nose up at it either, but for me at least, there is nothing wrong with a hinged stamp, provided that the hinging by previous owners has not done any major physical damage to the stamp over the years, such as thins on the back.  For my part, so long as the stamp remains in my possession, I will not harm it further with another hinge.  But let us be honest, we admire our stamps for the designs on the front, not to fetishize the pristine-ness of the gum on the back.

Sunday, April 3, 2016

How I learned to love Lighthouse Vario Stockpages (tutorial on how I make my own stamp albums)

It's a question I have seen many times on different stamp collecting fora.

"What Is The Best Stamp Album?"

In the end this is the question that can only be answered by trial and error.  You just have to try different methods of housing your collection, and eventually like Goldilocks you will find the one that is "just right" for what you are collecting and what your plans to collect might entail in the future.

The standard practice in philately has of course to house stamp collections in albums.  For many, the pre-printed albums published by companies as widely varied as Scott, Palo, Minkus, Gibbons, Ka-Be, Lighthouse, Lindner etc. etc. are exactly the right solution. Everything laid out with a spot, all you have to do is fill the spaces and that's all.

But....we all know that there are limitations with pre-printed albums.  Often they do not show spaces for stamps that we may acquire in the course of our collecting lives.  This is moreso with the "representative albums" like a Scott Internations or Minkus Supreme Global where the editors consciously will not include items, usually due to price but sometimes merely on a whim.

(and for those of you who have not checked out the blog  Big Blue 1840-1940 by my fellow blogger Jim aka jkjblue, first SHAME ON YOU! and second check it out, as this is an issue that collectors using the Part 1 of the Scott International Albums face time and time again.)

More specialized albums of course can provide more coverage, but often it will still lack spaces for items listed in specialist catalogs.   Of course you can always insert a blank page for the odd varieties that may not have a space.

OR you could decide to design your own stamp album.   That way you can control what goes into your album and how you want to display it for later viewing.  Nothing new, this idea, most of the great collections have historically been on custom-made or homemade pages exactly because of this.

So you decide to make your own album. If you want you can have it be based on actual pages you create yourself.  Desktop publishing means these days you do not have to have a degree in art to create a well-designed page, and adding artwork no longer requires a huge degree of artistic ability, though if you have it in you, its easy enough to add your own personal touches.

So you need to buy paper (best be acid-free, preferably archival quality), and of course some way to mount the stamps onto the pages. Hinges are one solution, but hinges these days just are not what they used to be, hence why some collectors will scour ebay looking for unopened packs of Dennison hinges from the 1950s.

And then of course there are the plastic stamp mounts,  Clear back or black-back, back slit or top slit, strips you cut or pre-cut sizes, you can pretty much find the exact right size for whatever stamp you are trying to mount. Though if you collect a large area over a long period of its philatelic history, you will likely need to have a bunch of different sizes, and while not as expensive as they were when they first came out in the 1980s, they are still a few US$ per pack.

And of course there is one potential pitfall.  You make a page, get it all done and mounted, then realize you have missed one value in a set.  Back to the drawing board on making a new page.  It may not take as long as it used to doing everything by hand, but still that is more time spent to create a page that has all the correct items on it.

There is an alternative to making your own pages on paper.  Stockbooks and stock pages.  Here all you have to do is decide how you want to lay out the stamps on a page of the stockbook or stockpage and put the stamps in the pocket, and...DONE!  Missed a stamp in a set, not a huge problem just have to rearrange how things are organized a bit to fit it in.  Which is why of the two, I prefer stock pages over stock books.  Pages can be put in a binder, have no fixed limit, and if you need to rearrange a couple pages it most likely will not mean rearranging the whole book.

My Method Of Madness To Organizing My Collection

As those of you who have followed my posts in this blog the last few months know, I love specialized catalogs.  My goal is to have a good specialized catalog for each nation that will be the base of how I collect the stamps of that nation.  Of course no pre-printed album would work for that, and after a couple of tests I finally settled on using Lighthouse Vario stockpages to house my collections.

The most important thing though is to create an organized system to help keep track of what is in the collection and what I need, as well as make sure space is provided for all stamps I may ever hope to acquire during the remainder of my collecting days (knock on wood another half century or so!)  So the first thing I do is plan a layout of the album on excel (actually OpenOffice's freeware equivalent) so that I know where to put a stamp on which page in the album.

First a few things to remember about Vario F pages. They come in an array of pocket height sizes, which means the pockets will vary in height. Pages with 6 pockets per side have pockets 39mm in height, 5 pocket pages are 51 mm in height, and 4 pocket pages are 63mm in height per row.  All Vario F pages have a standard row length of 195mm.

Schematic of a Vario 5S (5 pocket page) showing height of pocket, which varies on the number of rows on a page.  All the Vario pages have pockets 195mm across.

From my album making, I have found 6-row pages work well for most nations up to about 1945, then the increasing number of tall stamps (44mm or taller) means I switch from 6 to 5 pockets, and then depending on the nation, many go to 4 pocket pages for newer issues to handle se-tenant blocks and the like. Personally I do not mind a stamp sticking 1-2mm above the pocket line, but if you prefer to have the pocket completely cover the stamp, just keep in mind the pocket row height.

So with those basics on the pages done, the process of laying out the pages can start. The hardest part is usually determining stamp size and how many might fit across.  It's not that hard though, as most nations have (at least until the last couple decades) usually used a few specific dimensions for all their stamps and keep them that way for decades.

A good rule of thumb though that works for me 99% of the time : You can usually fit 8 small vertical-oriented definitives, 7 horizonal-oriented definitives, 6 vertical oriented commemoratives or pictorials and 4 horizontal-oriented commemoratives or pictorials in a row.  In the end the limit of space per row is 195mm, so you can mix and match, as you will see below.

So now to lay out a page, I use excel and whatever catalog I am going to base my collection on. Sometimes, that is more than one catalog.


My excel master file for my albums, open to Algeria. Numbers before independence are based on the Maury Afrique Catalogue, post-independence on Scott. 

For the colonial era I use Maury numbers, but Maury does not cover post-independence issues so for those I swithch to Scott numbers. Each outlined box represents a page and the numbers are the catalog numbers (Maury pre-independence, Scott post-independence in this example).  Its not anything fancy, and the best thing is if i miss a stamp as i go thru the catalog, its easy enought to tweak a few lines and voila all set to go.

And as some of you may notice, I like to mix back of the book with regular issues. Never did think Scott's parcing out each of the subtypes into separate categories such as Postage Dues, Airmail etc, made a lot of sense.   By creating my own album pages, I can reflect where those stamps fit in the overall timeline of postal emissions by a country.

And then once I get a bunch of pages laid out, all I need to do is print a copy and take it over to my stamp desk and start putting the right stamp on the right page.


Page 31 of my Algeria collection. Only one stamp left to complete it!


This page of French Algeria is page 31 on the excel, as you can see, I am almost complete.  I also try to make sure the page has some visual interest, it is nice to mix vertical and horizontal-oriented commemoratives in the same row.  You got 195mm of width to play with in each row, so make the best use of it (OK not so easy if all the stamps are small vertical-oriented definitives, but if you have an artistic or design bent you can still exercise it with using stock pages).

Page 31?? French Algeria didn't issue that many stamps!  Well if you only collect with Scott, even its Classic 1840-1940 catalog it might seem that way.  But Maury also provides listings for close to three HUNDRED parcel post stamps, similar to what Scott lists for France in the Classic Specialized, but produced for the Algerian post office and printed in Algeria, starting in 1899.  THIS is why I love specialized catalogs, you discover whole new areas of collecting that other, more general catalogs miss.

Another nice thing with using excel to create an album page key is you can color code each cell to mark if you have the stamp, and there are enough color varieties you can mark one color as Mint Never hinged, one as Mint Hinged, one as Used, and any other category you wish.

And when there is a stampshow in the Area, such as the upcoming COLOPEX show by the Columbus Philatelic Club in early June, all I need to do is download my excel to my tablet computer and take with me, and i have my want list all set to go.  Album page setup AND inventory all in one.

And since I am a worldwide collector, this means I have (and continue to grow) the number of different binders for different countries.  As I previously blogged in the 1.0 version of this blog, I decided the coolest look would be to print coats-of-arms stickers to put on the binders.


A selection of my stamp collection arranged by nation.  This pic shows Algeria - Andorra - Benin - Burkina Faso (ex Upper Volta) - Cameroun - Central African Republic (ex Ubangi-Shari) and at right edge, Chad.

Because of the leatherette nature of the Lighthouse Binders, the stickers by themselves sometimes do not stick well.  To counteract that, I use a bit of Gorilla Clear tape and that hold them down quite nicely.

Like I said at the start of this post though, finding the right collection housing method will take time, I didn't just come to this system, it involved a lot of false starts using other storage device systems. But not I think I really have got it "just right" for how I collect.  Whether a similar system will work for others, can only be determined if they try it and see how they like it.

hmm..I'm hungry for some porridge....